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Thom Zahler Art Studios

Art With an Attitude

  • LOVE AND CAPES: HOME FOR THE HOLIDAYS
  • Works
  • THOM'S BLOG
  • The Legend of Thom Zahler
  • Conventioneering
  • Art For Your Eyes
  • Thom Zahler Store
  • Newsletter
  • Patreon
  • PRE-ORDER A COMMISSION
  • Threadless Store
  • Twitter
  • Instagram
  • Facebook

Behind the Scenes of Warning Label, Chapter Eight

Sometimes, I really search for things to share in this weekly feature. Is that worth sharing? Do I want to reveal that? This week, I do not have to do that at all. Because Gymkata. So, a couple years ago I did a signing at Christy Blanch’s excellent Aw Yeah Comics shop. And one of her friends/co-workers, Kyle, asked if I’d seen Gymkata. “Gymkata?” I foolishly said. “What’s that?”

Kyle is a Gymkata evangelist. He would go door-to-door if he could. Scratch that. He may have already done that until a restraining order stopped him and I just don’t know. I think he’d have a bandolier of Gymkata discs if he could. So, when I told him that I hadn’t seen it, he fixed that. The Amazon shipment may have beat me home that weekend.

So, armed with a bottle of wine (or, as I called it, Gymkata Juice), I live-tweeted the experience of watching Gymkata. It is very much an Eighties film, combining the grace of gymnastics with the deadliness of karate. It is ridiculous and crazy and cheesy and it is a ton of fun.

Whip ahead to a couple months ago when I was writing the chapter breakdowns for Warning Label and I came up with the Mystery Science Theatre style night at Jeff’s movie theatre. My scripting uses brackets when I need to use a pastiche version of something. So, not Disney World but [Disney World] letting me know to come up with something close enough to the real thing so people get what it is, and not enough to get sued. In my script for this chapter, I of course wrote…

[Sleepwalkers].

Sleepwalkers is a terrible, terrible film that came out during my tenure at the Kubert School. Some friends and I watched it and did I mention it was terrible? It shows Indiana with mountains. Neuman from Seinfeld gets killed with a charcoal pencil that travels so fast that it continues to pass through his head and come out the other side. And I hated that movie, which was Stephen King’s first original screenplay, up until the second reel. At that point, I realized he was trying to write a USA Up All Night movie. At least I hope so. But once I let go, it was a gloriously ridiculous experience.

So, the movie Jeff and the gang was going to watch was Sleepwalkers. But this was also the hardest thing I’ve written in this story so far.

Why? Okay, you write a fake movie which is earnest and yet amusingly horrible, do it in eight panels, and then write jokes about your own jokey movie. This is not easy. And I was trying to think how to make it work. And I kept hitting a wall. Until Gymkata saved me.

Combining disco and an action movie (which I’m pretty sure was done in a TV pilot called Young Guy Christian but I can’t find any tracks to that show on the internet aside from it’s IMDB entry, but I know I saw it) was funny in and of itself. Action tropes are pretty universal. And, as opposed to creating absurd situations, I could write a standard action film and then make the execution absurd. I wrote a quick little movie, and then the gang’s jokes just came.

There are cut scenes, of course. The focus of the story is Danielle and her bonding or not with Jeff’s friends, not Discottack! So I had to clip the scene of him teaching the local kid how to disco dance, or using his Discottack to stop a mugger in the first scene. But I think the world will continue to rotate anyway.

categories: Uncategorized
Tuesday 01.09.18
Posted by Thomas Zahler
 

The Inspiration for Time and Vine, Part Four

My new book, Time and Vine, is coming out from IDW in July. Previews order code MAY170517. In a shameless effort to promote it, I’m going to be sharing some stories about making the book here. This one's going to have to be a little oblique, because the book's not out yet.

Last year, when I was at Denver Comic-Con, I stopped at Stout Street Social with Sean Tiffany and some friends. There, I saw some really cool wine bottle displays. I've got a blurry photo here. But it was really cool looking, and I had to borrow it.

[image src="http://thomz.com/blogall/wp-content/uploads/2017/05/IMG_1522.jpg" align="left" border="none" link="#" alt="" title="" lightbox="true" ]

There's a Thing that happens in issue one that I needed some solution for. And when I saw these wine displays, I remembered going to the late, lamented Potpourri in Mentor, Ohio. They had bottles built into their booths, and each bottle was signed with a note about whatever event that party was celebrating. So Happy Birthday or We Got Engaged or whatever.

The Stout Street Social display keyed that memory and, when you see the book, you'll see the problem it solved. Sometimes, it's not the big things, like winery tours or history books, but the little things that inspire you.

[image src="http://thomz.com/blogall/wp-content/uploads/2017/05/tnv_01005.jpg" align="right" border="none" link="" alt="" title="" lightbox="true" ]

categories: Comic Book, General, good times---good times, Time and Vine, Uncategorized
Monday 05.15.17
Posted by Thomas Zahler
 

Wall-E and Eve Valentine Art

IMG_0508.jpg

First come, first served to purchase this 9x12 full color original of Wall-E and Eve.  The original can be yours for $80.00! Buy by 3:30pm, February 13 and save $20!

categories: Uncategorized
Sunday 02.12.17
Posted by Thomas Zahler
 

Hawkman and Hawkwoman Valentine Art Available!

First come, first served to purchase this 9x12 full color original of the Winged Wonders. $80.00! Buy by 3:00pm, February 2 and save $20!

This piece has been purchased! Check back tomorrow for a new one!

categories: Comic Book, Commissions, Drawing Table, General, good times---good times, gooutandmakesomething, Hotsheet, Uncategorized
Wednesday 02.01.17
Posted by Thomas Zahler
 

Small Business Saturday 2016 - EXTENDED

THE SALE NOW HAS ENDED! THANKS EVERYONE! What the heck! Let's do one more day! Maybe just so someone will ask me to draw Maui from Moana.

It's Small Business Saturday, and hey, I'm a small business. So I figured I should offer something.

ive been doing 6x9 commissions as my Disney leave behind artwork. I don't normally offer those anywhere< so I figured that would be special enough for this. So, I'm doing 6x9 commissions, one and two character, black and white and color. And they'll be done for Christmas. FRee shipping too.

This offer expires at midnight on 11/26/2016.

categories: Uncategorized
Friday 11.25.16
Posted by Thomas Zahler
 

About that Convention Booker Story

I've seen this post about Scott Roush saying that he's a booker for a number of comics creators, including me. For the record, I have no business relationship with him. I'm sure we probably traded cards at Comicpalooza. And if he wants to forward my contact info to you, that's fine with me. I don't want it ever to be hard for people to find me. But you can also find it on this site.

categories: Uncategorized
Thursday 02.04.16
Posted by Thomas Zahler
 

Long Distance Wrap Up

ldcover.jpg

Last week, the last issue of Long Distance came out. It seems like not long ago that I started this particular journey, and it seems like it’s over before it started. I know that’s not so. I started drawing this story on November 15 of last year. But it’s weird to have all the issues done before the first one really hits the stands. [image src="http://thomz.com/blogall/wp-content/uploads/2015/09/ldtrade-132.jpg" align="right" border="none" link="#" alt="" title="" lightbox="false" ]

I am humbled by the outpouring of affection and great reviews for this book. I never expected how many people would come up and say “I was in a long distance relationship…” There was an audience for this book that I didn’t know was out there, and I’m glad that I could created something for them.

As it stands, I’m pretty happy with the book. It was a challenge a couple of different ways. Love and Capes was so well received that creating a follow-up project of any kind was daunting. Would people like it? Was Love and Capes a fluke? Looks like the answers were “yes” and “no.”

Also, doing a new project in a different style and without a lot of the Love and Capes structure was scary. Near the end, I was cranking out four pages a day to hit the last deadline. (The third issue, for some reason, just crushed me under its gears, eating up all my slush time.) But I made it, and I think the quality remained consistent.

[image src="http://thomz.com/blogall/wp-content/uploads/2015/09/ldtrade-112.jpg" align="left" border="none" link="#" alt="" title="" lightbox="false" ]

So thank you, each and every one of you, who read it, supported it, tweeted about it and  enjoyed it. You’re the reason I do it.

As is my wont, I thanked a host of people in the last issue. There are two in particular I have to call out:

Lisa Manglass was my technical advisor for Lee’s career. I didn’t actually have to be a rocket scientist to write Lee, thankfully, but Lisa explained a lot about that job to make it as accurate as possible. My initial questions were “what kind of office would Lee be in” “what would she wear” and things like that. Basically, I needed her to have an office where she could talk to her friend a lot. Everything else was details.

Lisa explained the nature of the job and how much of it would be traveling, which fit well with the series. She also exlained how the job essentially goes fellowship to fellowship and they might not all be in the same area. All of which played into the ending in a way I hadn’t imagined when I started.

And Tony Fleecs helped more than just doing an awesome cover. I was talking to him about it when we were sitting next to each other at New York Comic Con. The basic ending was always there, but he challenged me to make it bigger, make it something unique. He forced me to come up with the ending that you all read, which gave me the structure for the whole series.

How much did that ending change the story? The whole flashback structure came about only because of that ending. I’ll be forever grateful for his guidance.

Twelve some years ago I wrote Long Distance to work out some feelings I had and to enter a contest. The original work is way-too autobiographical and the characters aren’t as rich as they should have been. It was definitely a first draft, but there was something there worth pursuing.

Some of the banter and chemistry in it inspired Love and Capes. And telling a superhero comedy, well, that was definitely a comfort zone. When I ran out of dating jokes, I always had superhero jokes. And vice versa. And that four panel format was a comedic metronome to keep me on task.[image src="http://thomz.com/blogall/wp-content/uploads/2015/09/ldtrade-140.jpg" align="right" border="none" link="#" alt="" title="" lightbox="false" ]

I don’t ever want to repeat myself too much. So I threw a lot of that away. Gone was the panel format, but that also meant the story wasn’t as kind to be able to show to my trusted readers a page at a time. I had to commit to 44 page chunks to put it in a format people could read and react. That’s a lot to do if something didn’t work on page eight and things needed to be reworked. (Fortunately, they didn’t.)

I also changed up some of my tools. Love and Capes has a tremendous amount of in-jokes and references in the art. Here, I got rid of all that. Computer screens are no longer screen shots of my favorite sites, but are abstract patterns. The Doctor doesn’t appear in the background. A lot of those crutches were gone. I think about Pixar, which did two movies with a faux blooper reel and then never did it again, because they didn’t want to be pigeon-holed.

There are worse things you can do than take guidance from Pixar.[image src="http://thomz.com/blogall/wp-content/uploads/2015/09/ldtrade-096.jpg" align="left" border="none" link="#" alt="" title="" lightbox="false" ]

I even essentially got rid of color. I was terrified that the geographic dutotones would come off as a gimmick. Thankfully, they didn’t, and it’s been one of the things people have liked most about the book.I’m so glad that decision worked.

Long Distance is a deeply personal work for me. I’m very much in those pages, and very much not in the places you’d expect. And it’s hard doing a follow up project to something which was so well-received. So thank you for coming along for the ride.

And thank you IDW for taking a risk on a slice-of-life romantic comedy in a market deluged with superheroes and irony and spectacle. They’re good people, every one.

Will there be more Long Distance? Well, if you’ve read the book, there’s a lot of space to explore some new stories. I’m not sure if and when I’m going to go there. I think I want to do something new again, but we’ll see. I never intended to do a second issue of Love and Capes after all.

categories: good times---good times, gooutandmakesomething, Hotsheet, Long Distance, Uncategorized
Tuesday 09.15.15
Posted by Thomas Zahler
 

Everyone Needs a Rogues' Gallery

flashrogues.jpg

Every year I participate in the C2E2 charity auction benefitting St. Jude's. I've drawn Ponies as Cubs and White Soxs, donated pages and more. This year, I decided to do something like my Doctors Who piece featuring the Flash and his many villains. The Flash is one of my favorite TV shows this season, and Flash himself has maybe the third best Rogues' Gallery. (Spider-Man and Batman come ahead, in my opinion.) I decided to do the 80's version of the bad guys, so you won't see the Top (he was dead at the time), Turtle Man (barely used at that point) and Mr. Element/Dr. Alchemy (who had reformed).

The piece will be available at C2E2, and measures 6" high by 24" long. The original and a giclee print will be available at the auction. Hope you like it!

categories: Uncategorized
Monday 04.06.15
Posted by Thomas Zahler
 

I'll be at Wizard World Cleveland

cleveland_clr_pre1.jpg

Wizard World is bringing their convention to my back yard and I'll be there at table C14! I'll also have, for the first time, my Cleveland Love and Capes print, as seen above! I'll be on two panels as well.

FRIDAY, FEB. 20 5:00 – 5:45PM HOW TO WRITE COMICS WITH SPIDER-MAN’S TOM DeFALCO, POWER PACK’S MARC SUMERAK, LOVE AND CAPES’ THOM ZAHLER AND DARKHAWK’S DANNY FINGEROTH (ROOM 4) Accomplished comics writers Tom DeFalco (Spider-Man), Marc Sumerak (Franklin Richards: Son of A Genius), Thom Zahler (Love and Capes), and Danny Fingeroth (How to Create Comics From Script to Print) show and tell you how to write comics and graphic novels, going from initial idea to outline to script to finished story. Plus, the panelists will answer your questions about both the creative and business sides of the comics writing profession, including how to find an artist to work with (hint: a comics convention is the number one place!) and how to write exciting dialogue!

SATURDAY, FEB. 21 11:00 – 11:45AM STAYING IN (ROOM 5) Everybody wants to break into the comics industry, but what does it take to stay in. From navigating conventions to being a self-publisher and working with small publishers to networking, take some advice from Thom Zahler (Love and Capes, My Little Pony) and Marc Sumerak (Franklin Richards, All-Ghouls School).

Hope to see you there!

 

categories: Uncategorized
Thursday 02.19.15
Posted by Thomas Zahler
 

All the Tools in Your Toolbox

I was reading on StarWars.com about the new Star Wars comic by Jason Aaron and John Cassady, and came across this: [testimonials_box_style client_name="StarWars.com"] [p]In the original films, masks and costumes were hand-made. In order to maintain a visual continuity with those movies, Cassaday followed the rules of practical effects. “The key approach to design on this book,” Cassaday says, “is very much in touch with the original trilogy and the technology, make-up, and costuming of the time. No intricate CGI or mo-cap. When I design a new character or alien, I think of it as an actor wearing a rubber mask, prosthetics, or possibly a puppet, and I try to work within those given boundaries.” [/p] [/testimonials_box_style]

That’s an interesting thought. It may work just fine for this project, but in general, I’m against it.

When you adapt something into comics, or any medium, there are changes you have to make. There are things that work in one medium that don’t in another. Car chases are the usual example. Singing, too.

On the other hand, comics can offer things that other media doesn’t. As long as you’ve got the likeness rights, you can bring back any character you want. You can also do longer plots and subplots in a way that you can’t in a feature film. Marv Wolfman, when editing DC’s Star Trek comic, demanded that it be written like a comic, with new characters and multiple plots. It’s one of the reasons it was one of the best Trek comic adaptations.

Speaking of Star Trek, Peter David wrote about this very issue, focusing on how much humor he used in his run.

[testimonials_box_style client_name="Peter David"] [p]What’ve we got in the comics? Music? No.

Visual effects? Not that pack the same punch as TV, no. Besides, when people read the comics, they spend most of the time trying to determine whether the likenesses are consistent. You think anyone tunes in Next Gen saying, “Let’s hope that Riker looks like Jonathan Frakes this week?” “Let’s hope they got the bridge right”?

Acting? Only what the readers can conjure in their minds upon reading the words. Sound effects? Silent medium. Again, lacks that TV punch.

Make up? Come on. We have an audience which is used to seeing Nightcrawler or The Hulk every month. If Ensign Fouton, the tall, skinny blue alien, appeared on the TV show, fans would be singing praises about the makeup required to give him life. In the comic book, the most response we’ve had to something visual was R.J. Blaise, and she was human! Exotic aliens and civilizations don’t have the same effect on comics fans as it does when they see the same thing on the series. Face it, the comics can’t possibly work as well, on all levels, as the TV series– both old and new– do.

Except for one thing: humor.[/p] [/testimonials_box_style]

If you’re going to do a comic of something, I think you should do all the things you can in comics that you can’t somewhere else. One of the many things Whedon’s Buffy comic got right is focusing less on clever banter and long scenes in the library and more on the type of scope and effects that were cost prohibitive. I’m not objective about the My Little Pony franchise for obvious reasons, but I love that the second series, Friends Forever, focuses on characters who would never get to carry their own episode.

As a creator, you have to make decisions about how you’ll tell a story. I like leaving as many things in my toolbox as possible

categories: General, good times---good times, Hotsheet, Love and Capes, Uncategorized
Monday 01.26.15
Posted by Thomas Zahler
 
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