No more dialogue from here on out. In fact, I'm not even showing the version with dialogue balloons. This panel, from page 23, is from the raw art files. I'm pretty proud of this sequence. Lots of good acting. 
Three pages left, and the last one should be pretty easy. It's a larger panel page. There's a more than even chance that I can get the book done this week, depending on client work and Council duties and other wackiness that may ensue. Every day's an adventure.
I'm getting that "Is this any good?" feeling about this. That's pretty common, especially in the last couple of pages of a story. You always doubt yourself, at least a little. I'm now of the feeling that this issue will either be the greatest issue ever or a spectacular fireball. I've described Love and Capes as a sitcom, and using that analogy, this is like the episode of Family Ties where Alex's friend dies and he spends the show in a psychiatrist's office. (It's called My Name is Alex, by the way.)
I think Michael J. Fox won an Emmy for that one, too.