I recently got to do a caricature for a couple people as a present. They wanted a Wizard of Oz theme, as well as a tie to Cleveland. The layout just seemed natural to me, and I turned some Cleveland landmarks into the Emerald City.

This was a lot of fun, and I used a different coloring technique than I have in recent years. Rather than doing that cut color shadow layer (that’s the style I use on Love and Capes) I actually rendered the artwork in color with a few hard cast shadows.

I’m really pleased with how this turned out and so was the client, which is always important.

My good friend and fellow Kubert School student Sean Tiffany has been doing a series of "From the Vault" posts on his blog. In these, he brings out some old piece of artwork from school or early in his career. Always one to steal from someone smart, I’m going to do the same thing here with Wayback Wednesdays.

First up is a project from my "senior" year at Kubert. (Kubert was a three year school, but I hate saying "third" or "last" since it sounds like I didn’t finish.) This was actually in Joe Kubert’s class. We had to adapt a TV show into comic book format, doing a cover and a couple of interior pages. I did Quantum Leap. Innovation was doing a comic at the time, and I figured this might be a nice set of samples to show them. Plus, I was a fan of the show and wanted to do the scene that they could never really afford to do.

Quantum Leap had Sam Beckett leap into the life of another character, usually at in inopportune moment. When he got there, Sam’s reaction would inevitably be "Oh, boy." So I threw Sam into a skydiver. Sam leaping into someone who, literally, was leaping through the air was too good, plus the things you could do with Al were too much fun to pass up.

The cover was a parody/homage to the Kathy Ireland Sports Illustrated swimsuit cover, which had come out a couple years before. It was iconic enough, and lent itself well enough that I thought it was a great fit.

As it was The Old Days, the artwork was done on bristol board, the lettering done by hand, and the colors done with Dr. Martin Watercolor Dyes on a photocopy pasted onto a piece of illustration board. Ah, pre-computer color. There’s some aspects of actually brushing wet color on paper that I miss, but all things being equal, I much prefer computer coloring.

And, as always, click to embiggen!

Recently, I was called upon to draw a logo for a cleaning service called Melissa’s Magnificent Cleaning. I did it pretty quickly, but it was also a lot of fun. I like the pose and the attitude.

The final file was all vector, which is still a bit of an effort for me since Adobe discontinued their fine Streamline program. And yes, I know Adobe Illustrator has a great trace function, but I just can’t get it to behave the same anymore. I’ll get it eventually, though, I’m sure.

It’s been a long haul with over 100 guests attending (and, by extension, 100 caricatures to do) but I finished the cover for Love and Capes #12. There will be two versions, the "Love" verson (featuring Mark and all other superheroes in civilian garb) and the "Capes" edition (featuring Mark as the Crusader, and superheroes in the congregation). They’ll be a 50/50 split, but if you’re an attendee, don’t worry. You’ll get the one with you on it. And I’ll be e-mailing you soon about it.

The full cover images will be released sometime during Comic-Con next week. Hey, everybody else is making announcements, why can’t I? But for now, enjoy the little thumbnails I’ve shown above.

All in all, the wedding cover promotion worked better than I could have hoped, and I think it’s a really strong image. Thanks to everyone who participated!

New Love and Capes news. Click here to see what!

Since 2002, I’ve been the caricaturist for the Cleveland Metroparks Boo at the Zoo. It’s a Halloween event for kids that the Zoo holds the two weekends before Halloween. It’s been a blast. It originally was a two day event, and over the years has become a four-day extravaganza over two weeks. And, while drawing 100 kids a night for four days straight, sometimes in the rain, wind and cold, isn’t the easiest way to spend an evening, it was always one of the most fun. The attendees were great, and it was always the most humbling event as more than a few people would tell me that they ran to my station to make sure they got in line for the free drawing that had become a family tradition. There are people who have six years of Thom Zahler caricatures on their wall, and that’s just great.

Sadly, I won’t be back this year. The Zoo has contracted with a new gift shop vendor this year, and their contract gives them the license to sell caricatures at the event. I’m disappointed I can’t be there this year, and I’ll miss the kids and the great people at the Zoo. But, I understand the business end of things, too, and know that these things happen. No hard feelings there, and hopefully we’ll be able to find other things in the future. And, if things ever change, I’ll be back Booing and Zooing in a heartbeat.

I figured I’d mention it here because there are those loyal throngs of people who show up, some of whom read this site, and want them to know that I’d still be there if I could. My lines were frequently over an hour and a half long, so maybe this will give those kids a chance to see some parts of the Zoo that they’d skipped because they were in my line.

It’s been a great six years! Thanks for everyone who came by and made it one of my favorite events to do. Hopefully I’ll see you somewhere soon.

For some reason, I’ve been doing a lot of caricature gigs lately. More than I have in a while. Sunday was particularly busy, as I had both a morning and afternoon event to do. Still, it keeps me busy and keeps me paid, so that’s all to the good.

The second Sunday event was for Lake Erie College, a frequent client. I love high school and college gigs in general because it’s just so cool to talk to people deciding what to do with their life. As someone who’s always known what he would do, the whole process of figuring things out and what other people decide what to do is just endlessly fascinating.

These photos were taken by the multi-talented Bob Zyromski, late of the YMCA and as always an ace photographer. (You should hire him to photograph something for you, too. Give him a shout here.) He was out taking pictures, and they are pretty cool, aside from my ugly mug. It’s interesting to see what I look like when I draw, too. I didn’t realize that I looked so intense.

With all of these photos, you can click and embiggen!

Man, waking up at 4:00am will mess you the frak up.

I felt like I was in a haze all day, even after I slept for an hour after the show. I managed to pump out a couple more parts of the Scene cover I’m doing. I even finished it this morning (and by morning, I mean something like seven or eight, not four) assuming my art director gives me the big okay. Part of said cover is even shown here. I’ll post another image or two, probably, before I show the full cover on Wednesday when it prints.

Anyway, Good Morning Cleveland was great. I was surprisingly conscious for that early in the morning. Everybody there, from Todd the producer to Paul and Kim and Susanne and Patty to everyone else were fantastic. And a big shout out to Kimmy, who I went to Lake Catholic with and brought me to their attention to be on the show. You can see a slideshow of those caricatures here. I think most of them came out pretty well, and I was lucky enough to get the subjects to sit down for me. Last time I was on the show (it can’t be seven years ago, can it?), I had to look across the studio to try to get a glimpse of them. There’s probably one of the set I did yesterday that I’d do differently, but I won’t out it here.

I think I even came across well in the interview, although I must admit that I’ve not had the intestinal fortitude to pull it up on the TiVo yet. I’ll probably burn it to disc and never look at it again. I really have a hard time watching myself on TV.

But don’t let that stop you if you’re the producer of another morning show and want to bring me out to your studio. Good Morning Dallas… Good Morning Poughkeepsie… whatever. It’s all about the self-promotion.

Yesterday I did five hours (or as I call it, The Nickle) of caricatures at a COSE event in Little Italy here in Cleveland. It was one of those near-perfect events. I never had a line, per se, but I did have a steady stream of subjects. At most, there were two or three kids lined-up behind me.

COSE does some great work, and depending on how some things shake down, I may wind up joining. And Little Italy is one of my favorite parts of Cleveland, and for a while had my favorite restaurant in town (which, sadly, has since closed to be replaced by fine place… it’s just not the same, though).

I even ran into some people I haven’t seen in years there. It’s amazing how that happens.

I’ve said before that it’s important to recognize when things go right and yesterday went really right.

Well, except for the light sunburn I got being outside and drawing for five hours. But I can deal with that.

I’m sure it’ll come as no surprise, but the Mystery Game Board piece was done for Scene Magazine, in the issue that comes out today.

They’re running a feature on Cleveland’s screwed up politics, and wanted a CandyLand type game board with several Cleveland incidents on it. So, everything from the sink hole to the Ameritrust Building, to the County Commissioners, to National City Bank’s troubles are illustrated.

Scene Magazine supplied me with a PDF of the finished version, which you can see by clickin’ and embiggenin’.

I’m thrilled with the way this one came out. I think it’s a great piece.